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Kylie Clarke Johnson, Logan Loughmiller, Luisa Sermol and Ted Schulz in "Boleros for the Disenchanted" (Photo by Russell Young) |
In a single moment I am aware of a prop that is not right, a
costume that I like, a moment of staging that is wrong, a light that is too
dim, and a beat that I feel like we are missing, the volume of the ambiance
noise, and the laughter of Mark and Olga and Marychris from behind me, and my
head is spinning and my hand cannot write fast enough the notes I want to give
the different parties involved. And the moment passes and I am on to the next
moment. It is insanity, for me anyway. I sit in the dark, watching this make-believe world where we are trying to create truth, and tell this beautiful
story. It is difficult, challenging and frustrating. We are so very close. What
will it take? Breathe, I tell myself, just breathe.
These next nine days are a time of incredible growth. It is
a time when I ask people to jump and soar. What do I mean by that? I guess I
mean to trust. Trust the work. You see when you work on something for five
weeks it is easy to forget the early work, the instinctual work. Now it is just
tweaking that work, minor adjustments, adding in layers, spicing things here
and there, and sprinkling it with magic. But all the magic in the world does no
good if you don’t trust the work. That is where we are in the process. I must
jump and soar…and ask the others to follow.
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